Greenwood: A Novel

One of Canada’s most acclaimed novelists charts a family’s rise and fall, its secrets and inherited crimes in a magnificent generational saga.

Longlisted for the Scotiabank Giller Prize, Greenwood is a rugged, riveting novel that satisfies fans of Richard Powers’s The Overstory, according to a starred review from Publishers Weekly. The New York Times Book Review notes that there are plenty of visionary moments laced into Christie’s shape-shifting narrative, penetrating to the core of things.

In 2038, Jacinda (Jake) Greenwood is a storyteller and a liar, an overqualified tour guide babysitting ultra-rich vacationers in one of the world’s last remaining forests. In 2008, Liam Greenwood is a carpenter, sprawled on his back after a workplace fall, calling out from the concrete floor of an empty mansion. In 1974, Willow Greenwood is out of jail, free after being locked up for one of her endless series of environmental protests: attempts at atonement for the sins of her father’s once vast and violent timber empire. And in 1934, Everett Greenwood is alone, as usual, in his maple-syrup camp squat, when he hears the cries of an abandoned infant and gets tangled up in the web of a crime, secrets, and betrayal that will cling to his family for decades. And throughout, there are trees: a steady, silent pulse thrumming beneath Christie’s effortless sentences, working as a guiding metaphor for withering, weathering, and survival.

A shining, intricate clockwork of a novel, Greenwood is a rain-soaked and sun-dappled story of the bonds and breaking points of money and love, wood, and blood—and the hopeful, impossible task of growing toward the light.

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